Soon after Kelly was inducted into George Bush's "Neighborhood" through horrific sexual abuse, Bush enforced his controls on me. Our mind control handler, Alex Houston, had taken Kelly and me to Washington, D.C. for separately scheduled meetings with Bush. Kelly had already been escorted by agents to her rendezvous with him that morning, during which time I had been ordered to one of U.S. Senator Robert C. Byrd's offices located in the nearby F.B.I. Hoover Building. There, Byrd reinforced his holds on me by claiming control of the Justice Department and "proving" once again that I had "no where to run and no where to hide." My horror reaction was compounded when Byrd looked at his pocket watch and notified me in Alice in Wonderland cryptic language, "You're late, you're late for a very important date," referring to my meeting with Bush.
I sprinted from the Hoover Building, encountering Houston who waited just outside. Houston hurried me to the Smithsonian where I waited for my escorts as instructed at the "Face Changing" exhibit. This computerized exhibit illustrates how an individual's face can take on a radically different appearance by slightly altering any single feature.
The exhibit fascinated me as a programmed MPD since multiples often experience the unnerving phenomena of routinely not recognizing themselves in a mirror due to switching personalities. A multiple's face often changes slightly with each switch, which "validates" the religious communities' perceptions of so-called "demonic possession" in occultism. Logic quickly dispels this belief when it is realized that everyone's expression changes according to emotion, by skin color and tones, blood pressure, and by tightening or relaxing specific micro muscles. An MPD's face changes are more exaggerated when these natural conditions are combined with the results of sophisticated programming. "Charm School" teaches subconscious control over these natural phenomena as a ready-made disguise on government slaves such as myself, as well as to enhance sex slaves' "beauty" to their maximum potential. I was incapable of thinking or logically understanding my fascination with the display, as I stood totally enthralled, waiting for my escorts as ordered.
As the escorts approached, I was relieved to see Kelly with them. Though she was visibly tranced and traumatized, the fact that she was alive was all I was capable of grasping. When she saw the "Face Changing" exhibit, she excitedly exclaimed, "Uncle George just read me a book about this!" Before I could hear anymore, I was led away, leaving Kelly with our handler, Houston.
I was then quickly taken to Bush's Residence Office, which here-to-fore was unfamiliar to me. Although it had slate blue plush carpets and fine furnishings like the White House office, latticework and smaller rooms provided a different air. I sat in a hard back wooden chair as ordered, while Bush carefully positioned himself in front of me on a little wooden footstool. This allowed me clear visibility of the large book that he held in his lap. All illustrations faced me, while all text except the last page was printed in the holder's direction. This book was a unique, high tech piece of art specifically designed to enforce Bush's favorite method of programming, "You Are What You Read." The juvenile face depicted on the front of this hardcover book gave it the appearance of a children's storybook. It was entitled About Faces.
Bush explained the dynamics of "changing faces" and "becoming what I read." Although I had been conditioned to this idea all of my life through Disney stories, The Wizard of Oz, Alice in Wonderland, etc., I was not prepared for Bush's version of "You Are What You Read" programming explanations. The illustrations themselves were elaborate, consisting of mirrors and hypnotic depictions. He seemingly made the book come alive in my mind as he read page after poetic page of hypnotic, metaphorical language, all the while creating powerful illusions. His impersonations of the characters further enhanced the desired affect of fantasy becoming reality. This extraordinary effort to scramble reality would have worked - perfectly -- had it not been for another victim and myself discussing it only a few days later The purpose of Bush's book was clearly explained within the first few pages, which included the following passage:
Throughout my tenure as a Presidential Model mind controlled slave,
I was provided specific books according to Bush's program. These books,
delivered through pre-established channels such as Ken Riley, Alex Houston,
and even Ronald Reagan, came complete with specific commands on how they were
to be interpreted and used. Some books were used to instruct me on operations; some were an attempt to scramble my memory with fantasy; others were used to load my mind with pertinent data such as bank account passbook numbers, and so on.
I was provided a paperback book entitled Afghanistan, from which I absorbed history, current political events, and the strength of the Afghani Freedom Fighters. I have since learned that the book I read was never publicly released in the text it was provided me. According to instruction, the book was delivered back to Bush as quickly as I finished memorizing it. I wonder in retrospect if any part of it contained fact beyond how I was supposed to perceive it.
I read stories of espionage, including Robert Ludlum's Bourne Identity, and William Diehl's Chameleon. Mostly I was provided steamy sex novels for further training as well as scrambles. Kelly was conditioned to fairy tales, Steven Spielberg's ET, NASA NSA operative George Lucas' Star Wars, and the nightmarish Never Ending Story. Steinbeck's classic Of Mice and Men caused Kelly constantly to quote the dependant character of Lenny for years saying, "Tell me what to do, George." She still does this each and every time I am allowed to visit with her in the mental institution. The attending therapist overseeing the visit has yet to pick up on this programming cue, and I am forbidden by Juvenile Court order not to discuss Kelly's past or therapy.